Later, they run into each other in a restaurant. From there, Lean flashes back to the lovers’ first meeting in the same café.
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Celia Johnson is like a silent movie star with her huge eyes, showing so much emotion with barely a rustle of an eyelash.Īdapted from a Noël Coward play, Brief Encounter is a brilliantly crafted film, beginning with a goodbye in a railway café – the end of an affair that never really was. So why do we continue to find Lean’s much-loved classic so unbearably moving? Because it’s still thrilling to watch the continents of emotion beneath Laura and Alec’s icy properness. She’s Laura (Johnson), a not especially pretty housewife. And not to mince words, they’re an unglamorous pair. And…? Unlike Casablanca, the future of civilisation isn’t hanging on the outcome. A married woman falls in love with a married man and they do the decent thing. You’d think that Lean’s tale of stiff-upper-lip emotion would be frightfully and unwatchably old-fashioned today. It’s a gentle and devastating coming-of-age romance that’ll leave you aching (and ready to book a holiday to Italy). The stirring monologue delivered by Elio’s father (Stuhlbarg) about the necessity of pain and heartbreak throbs with empathy, as does the film’s final scene of Elio sitting in front of the hearth weeping. Elio’s obsessive nature and infantile arrogance, as well as his fraught desires, are captured so vividly that, regardless of whether or not you’ve ended up screwing a slightly older man in your parents’ summer house in northern Italy, it still feels oddly recognisable and nostalgic. APKĬast: Armie Hammer, Timothée Chalamet, Michael Stuhlbarg, Amira Casarīased on the acclaimed novel by André Aciman and with an Oscar-winning screenplay written by James Ivory (yes, of Merchant Ivory heritage), Call Me by Your Name is more than just a bittersweet meditation on the enduring impact of a summer romance.ĭirector Luca Guadagnino captures the confusion, simmering lust and crackling tension between precocious and thoughtful 17-year-old Elio (Chalamet) and the allure of the older, magnetic and dashingly handsome Oliver (Hammer).
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But it’s in the rare moment that the two shut the hell up and simply share a longing glance that sells the relationship best. Cary and Russell in turn perform their own flirtatious ballet of words, twisting syllables around one another’s delivery in a dance that’s teeming with sexual tension. The film is a barrage of insults, chaotic turns of phrase, dry wit, and endless patter that shows the depth of the central relationship without taking a breath. The resulting fireworks between Grant and Russell are almost blinding. Hawks brilliantly reworks the source material with some help from screenwriting greats Ben Hecht and Charles Lederer, gender-swapping Hildy from a cocksure man to a woman in a male-dominated world. A hysterical chamber piece, the film unfurls as ace reporter Hildy Johnson (Rosalind Russell) attempts to leave her high-profile newspaper gig, only to be held hostage by her desire to break one more story… and the shady machinations of her equally verbose editor, Walter (Cary Grant), who also happens to be her ex-husband.
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Howard Hawks’s adaptation of the broadway hit The Front Page is the king of fast-talking, dapperly daffy screwball comedies. The worst romantic movies, according to dating experts Written by Cath Clarke, Dave Calhoun, Tom Huddleston, Catherine Bray, Trevor Johnston, Andy P Kryza, Guy Lodge, Phil de Semlyen & Alim Kherajīest Romantic Movies Streaming on Netflix Right Now Included below you’ll find classics like Dirty Dancing, comedies such as Nora Ephron’s brilliant When Harry Met Sally, animated wonders like Wall-E, and recent newcomers including Portrait of a Lady on Fire, Netflix’s Atlanticsand the blockbuster 2018 remake of A Star is Born, all of which make up our definitive list of the best romantic movies of all time. These are people who know romance: The Notebook author Nicholas Sparks Notting Hill director Richard Curtis and not forgetting a diva who has devoted a lifetime to seducing a shy frog, Miss Piggy. That’s why, to help us curate this list, we chatted to more than 100 filmmakers, actors and writers (including those from Time Out). After all, life is better when there’s love in the air.Ĭhoosing the greatest films about love requires skill. A romance should have you crying into a box of tissues, get you hot under the collar, make you laugh and leave your heart feeling full. Romance isn't for everyone, but the sign of a good romantic movie is if it can move even the most steely hearted grump in some way.